Home / Learning Library / Music Theory / The Major Scale
Chapter 4 · Lesson 01
The major scale is a series of eight notes built on a fixed pattern of tones and semitones: T-T-S-T-T-T-S. That pattern gives it its bright, happy colour.
In the chapter on intervals we saw that every step between two notes has a size. A scale is nothing more than a series of notes built step by step, with specific intervals between them.
A scale is a series of notes that starts on one note and reaches its octave, climbing in fixed steps. Each step has a specific size, and the order of those sizes determines the scale's character.
The best-known scale in Western music is the major scale. You recognize it instantly: it is the scale that sounds bright and happy, the one we sing as "Do Re Mi Fa Sol La Si Do".
The major scale always follows the same pattern: Tone, Tone, Semitone, Tone, Tone, Tone, Semitone, in short T-T-S-T-T-T-S (in American terms, W-W-H-W-W-W-H). The two semitones always fall in the same place: between the 3rd and 4th degree, and between the 7th and 8th degree.
The name "major" comes from the scale's characteristic interval. If you count from the 1st to the 3rd note (tonic to mediant), you find a major third, spanning two tones. That interval, the major third, is what gives the major scale its "open", bright sound.
The minor scale, by contrast, has a minor third from the tonic, which is why it sounds darker. We will look at that difference in detail in the next lesson.
The T-T-S-T-T-T-S pattern stays exactly the same wherever you start. If you want to play a major scale from G, you follow the same pattern. Only now the 7th step (between the 6th and 7th degree) needs a tone, and that means F has to become F♯. Without the accidental, the pattern would break and the scale would not sound major.
Bring what you have been practicing to your next lesson. We can work on the sound, technique and musical questions together.

