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Chapter 4 · Lesson 03
Every note of a scale is called a degree and has its own name and role. They are numbered from the tonic (I) to the leading tone (VII). The most important ones are the tonic, the dominant and the leading tone.
You already know how a scale is built: seven notes at specific distances. Now we give each note its own name and role inside the scale. These positions are called degrees.
The notes of a scale are not equals. Each one carries a different "weight" depending on its position. Some sound stable and calm, others create tension that asks to be resolved.
To tell the degrees apart regardless of key, we number them with Roman numerals from I to VII, always starting from the first note of the scale.
Each degree has its own name. The figure below shows the positions in C major, and the names follow right after.
The names of all seven degrees:
Of the seven degrees, three have the most distinctive role.
The tonic (I) is the scale's "home". It is the point of rest, the place we start from and return to. When the melody lands on the tonic, we hear completion.
The dominant (V) is the opposite. It creates tension that asks to resolve to the tonic. That relationship of tension and resolution is one of the most fundamental features of music.
The leading tone (VII) sits one semitone below the tonic. That small distance gives it a strong pull toward the tonic, as if it "pushes" toward it, which is what the name describes. When the 7th degree sits a whole tone below the tonic, though, as in the natural minor, the pull is much weaker and the degree is called the subtonic.
Bring what you have been practicing to your next lesson. We can work on the sound, technique and musical questions together.

